
Grey and Silver: Old Battersea Reach
James McNeill Whistler
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Bar-room Scene
William Sidney Mount
Period
1831-1870
Theme
Power & Politics
Medium
Oil on canvas
Current Location
Art Institute of Chicago, Chicago
The Story
William Sidney Mount specialized in scenes of everyday life known as genre paintings. He was one of the earliest American artists to do so, and his compositions, including Bar-room Scene, are rich in narrative and humor and engage with the complex cultural, political, and racial circumstances that defined antebellum society. Here Mount portrayed a boisterous group of patrons in a New York public tavern.
The seated men encourage the drunken dance of the central figure, whose tattered clothes and inebriated state suggest a less fortunate position. The figure in the back corner, likely a free Black man, also frequents the tavern but does not participate fully or equally in this 1830s community.
Working in Oil on canvas at 57.4 × 69.7 cm (22 5/8 × 27 7/16 in.), William Sidney Mount constructs depth through value contrast rather than outline, letting figures emerge from darkness the way they would under candlelight or through a shuttered window.
Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. Scale and setting do political work here, elevating the subject above the room it would have hung in.
Housed at Art Institute of Chicago in Chicago, the painting has passed through the hands of collectors, dealers, and institutions before reaching public view — a provenance that is itself part of the object's story.
“A silence so complete it becomes its own witness.”
William Sidney Mount specialized in scenes of everyday life known as genre paintings. He was one of the earliest American artists to do so, and his compositions, including Bar-room Scene, are rich in narrative and humor and engage with the complex cultural, political, and racial circumstances that defined antebellum society. Here Mount portrayed a boisterous group of patrons in a New York public tavern. The seated men encourage the drunken dance of the central figure, whose tattered clothes and inebriated state suggest a less fortunate position. The figure in the back corner, likely a free Black man, also frequents the tavern but does not participate fully or equally in this 1830s community.
The William Owen Goodman and Erna Sawyer Goodman Collection
Inscriptions: Signed recto, bottom-left corner, on floor, in black paint: "W. S. Mount / 1835."..
Gouverneur Kemble, Cold Spring, N.Y., 1835. Ehrich Galleries, New York, by 1911; William Owen and Erna Sawyer Goodman, Chicago, 1911; given to the Art Institute of Chicago, 1939.
Art Institute of Chicago, Chicago. View on the museum’s official page.
See more works at Art Institute of Chicago or browse the full William Sidney Mount collection.
A restrained palette and sculptural lighting create a solemn geometry. The wooden crate and letter anchor the narrative with journalistic precision.
Sources