
The Music Lesson
Jacob Ochtervelt
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Fishing Boats in a Calm
Jan van de Cappelle
Period
1650-1700
Theme
Daily Life
Medium
Oil on canvas
Current Location
Art Institute of Chicago, Chicago
The Story
Fishing Boats in a Calm is one of the most evocative works by Jan van de Cappelle, painted around 1651. The canvas distills the obsessions of the 1650-1700 era — patrons, faith, power, and the fragile theatre of human emotion — into a single, charged image.
Created in 1651 during the 1650-1700 period, this work belongs firmly within the daily life tradition. Jan van de Cappelle worked at a moment when the rivalry between Catholic Baroque drama and Protestant restraint reshaped what a painting could mean. Every gesture, fabric, and gleam of light was decoded by contemporary viewers like a private language.
Executed in Oil on canvas, measuring 57.6 × 71.2 cm (22 11/16 × 28 in.); Framed: 78.7 × 93.4 × 5.7 cm (31 × 36 3/4 × 2 1/4 in.), the surface rewards close looking. Jan van de Cappelle builds the composition through layered glazes and a tightly controlled palette, letting cool shadows recede so that the warm, lit passages step forward.
Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. Scenes like this were prized precisely because they made ordinary labor and leisure worth painting at all.
Housed at Art Institute of Chicago in Chicago, the painting has passed through the hands of collectors, dealers, and institutions before reaching public view — a provenance that is itself part of the object's story.
“A silence so complete it becomes its own witness.”
Mr. and Mrs. Martin A. Ryerson Collection
Technique: oil painting, painting, painting (image making), painting techniques.
Inscriptions: Inscribed lower right: J. v Cappelle 1651.
Probably François Sallé, by 1817; his sale, Paillet, Paris, November 27, 1817, lot 5 for 101 francs to Benoist Montigneul [Burton Fredericksen kindly suggested the connection to this lot, based on the date of 1651; annotated copy of the sale catalogue in the British Library, copy in curatorial file]. J. Louis Miéville, London, 1878 [according to Hofstede de Groot 1923]. Presumably Prince Paul Demidoff (died 1885); offered, his sale, Florence, Pillet, Le Roy and Mannheim, March 15-April 10, 1880, lot 1071, engraved, bought in; by descent to Princess Demidoff (formerly Princess Lise Troubetzkoi), 1885; sold through Durand-Ruel, Paris, June 1890, as part of a group of Dutch and Flemish paintings, many from the Demidoff collection, with funds advanced by Martin A. Ryerson and other trustees of the Art Institute [annual report 1891]; the picture was in Ryerson’s private collection and intermittently on loan to the Art Institute by 1894; bequeathed to the Art Institute in 1933.
Art Institute of Chicago, Chicago. View on the museum’s official page.
See more works at Art Institute of Chicago or browse the full Jan van de Cappelle collection.
A restrained palette and sculptural lighting create a solemn geometry. The wooden crate and letter anchor the narrative with journalistic precision.
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