
The Advance-Guard, or The Military Sacrifice (The Ambush)
Frederic Remington
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A Friendly Warning
Thomas Hicks American
Period
1871-1900
Theme
Tragedy & Death
Medium
Oil on canvas
Current Location
Art Institute of Chicago, Chicago
The Story
A Friendly Warning is one of the most evocative works by Thomas Hicks American, painted around 1881. The canvas distills the obsessions of the 1871-1900 era — patrons, faith, power, and the fragile theatre of human emotion — into a single, charged image.
Created in 1881, this work belongs firmly within the tragedy & death tradition of American painting. Thomas Hicks American worked at a moment when the young republic was still deciding what its own art should look like — how much to borrow from Europe, how much to invent from its own landscape and daily life. Every gesture, fabric, and gleam of light was pitched at an audience learning to take American subjects seriously.
Executed in Oil on canvas, measuring 62.9 × 81.9 cm (24 3/4 × 32 1/4 in.), the surface rewards close looking. Thomas Hicks American builds the composition through layered glazes and a tightly controlled palette, letting cool shadows recede so that the warm, lit passages step forward.
Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. The composition slows the eye down at exactly the moment it would rather look away, which is the point.
Housed at Art Institute of Chicago in Chicago, the painting has passed through the hands of collectors, dealers, and institutions before reaching public view — a provenance that is itself part of the object's story.
“A silence so complete it becomes its own witness.”
A. A. McKay Fund
Inscriptions: Signed, middle left: "T.Hicks. N.A.".
Robert M. Olyphant, in 1915.
Art Institute of Chicago, Chicago. View on the museum’s official page.
See more works at Art Institute of Chicago or browse the full Thomas Hicks American collection.
A restrained palette and sculptural lighting create a solemn geometry. The wooden crate and letter anchor the narrative with journalistic precision.
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