
Self-Portrait with a Straw Hat (obverse: The Potato Peeler)
Vincent van Gogh
Paintale uses cookies for essential site functionality and, where enabled, to serve relevant advertising via Google AdSense. You can accept all cookies or reject non-essential ones. See our Privacy Policy for details.
Now viewing
Two Sisters (On the Terrace)
Pierre-Auguste Renoir
Period
1871-1900
Theme
Portrait
Medium
Oil on canvas
Current Location
Art Institute of Chicago, Chicago
The Story
Two Sisters (On the Terrace) is an 1881 oil-on-canvas painting by French artist Pierre-Auguste Renoir in the collection of the Art Institute of Chicago. 5 cm × 81 cm. The title Two Sisters (French: Les Deux Sœurs) was given to the painting by Renoir, and the title On the Terrace (French: Sur la terrasse) by its first owner Paul Durand-Ruel. Renoir worked on the painting on the terrace of the Maison Fournaise, a restaurant located on an island in the Seine in Chatou, the western suburb of Paris.
The painting depicts a young woman and her younger sister seated outdoors with a small basket containing balls of wool. Over the railings of the terrace one can see shrubbery and foliage with the River Seine behind it. In 1880 to 1881, shortly before working on Two Sisters, Renoir worked in this particular location on another well-known painting, Luncheon of the Boating Party. " It is unknown who posed as the "younger sister," but it is stated that the models were not actually related.
Working in Oil on canvas at 100.4 × 80.9 cm (39 1/2 × 31 7/8 in.); Framed: 119.1 × 100.1 × 7.7 cm (46 7/8 × 39 3/8 × 3 in.), Pierre-Auguste Renoir constructs depth through value contrast rather than outline, letting figures emerge from darkness the way they would under candlelight or through a shuttered window.
Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. Likeness was only part of the job; the painting also had to argue for the sitter's place in the world.
Housed at Art Institute of Chicago in Chicago, the painting has passed through the hands of collectors, dealers, and institutions before reaching public view — a provenance that is itself part of the object's story.
“A silence so complete it becomes its own witness.”
Jeanne Darlot, girl.
Pierre-Auguste Renoir considered the Restaurant Fournaise in Chatou (a village along the Seine River) the perfect spot to enjoy nature and good company away from the urban distractions of Paris. His painting Two Sisters (On the Terrace), which he exhibited at the Impressionist exhibition of 1882, is among the last of his paintings set there. Sometimes, as in his most famous work on this subject, Luncheon of the Boating Party (1882; Phillips Collection, Washington, DC), Renoir used his close friends as models. For Two Sisters, however, despite the title of the painting, he paid unrelated models to create this intimate and perfectly balanced pairing of youth and nature. The older girl, wearing the blue flannel of a female boater’s outfit, sports a luxurious red hat, but it is her younger companion who captivates. Her oversize headdress composed of a floral bouquet is echoed in the brightly colored skeins of yarn in the basket that she gently touches. As was typical for the artist, Renoir painted the faces of his models with controlled and precise brushwork creating a porcelain-like surface that contrasts brilliantly with the diaphanous, impressionist backdrop of river, boats, and blossoming trees just beyond the railing of the terrace.
Mr. and Mrs. Lewis Larned Coburn Memorial Collection
Materials: oil paint, canvas.
Technique: oil painting, painting techniques, painting, painting (image making).
Inscriptions: Inscribed lower right: Renoir '81.
The artist (d. 1919); sold to Durand-Ruel, Paris, July 7, 1881, for 1,500 francs [per Durand-Ruel, Paris, stock book for 1880–82 (no. 1451, as Femme sur une terrasse au bord de la Seine), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file]; transferred to Durand-Ruel, New York, 1922 [per Durand-Ruel, New York, stock book for 1904–24 (no. 8124, as Sur la terrasse), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file]; sold to Mrs. Lewis Larned (Annie Swan) Coburn, Chicago, February 4, 1925, for $100,000 [per Durand-Ruel Archives, as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file; see also a letter on Durand-Ruel letterhead, Mar. 18, 1932, verifying that Coburn purchased the painting from Durand-Ruel, on file in Institutional Archives, Art Institute of Chicago]; Bequeathed to the Art Institute of Chicago, 1933.
Art Institute of Chicago, Chicago. View on the museum’s official page.
See more works at Art Institute of Chicago or browse the full Pierre-Auguste Renoir collection.
A restrained palette and sculptural lighting create a solemn geometry. The wooden crate and letter anchor the narrative with journalistic precision.
Sources