
On a Balcony
Mary Cassatt
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The Child's Bath
Mary Cassatt
Period
1871-1900
Theme
Daily Life
Medium
Oil on canvas
Current Location
Art Institute of Chicago, Chicago
The Story
The Child's Bath (or The Bath) is an 1893 oil painting by American artist Mary Cassatt. The painting continues her interest in depicting bathing and motherhood, but it is distinct in its angle of vision. Both the subject matter and the overhead perspective were inspired by Japanese Woodcut prints and Edgar Degas. It was bought by the Art Institute of Chicago in 1910, and has since become one of the most popular pieces in the museum.
Created in 1893, this work belongs firmly within the daily life tradition of American painting. Mary Cassatt worked at a moment when the young republic was still deciding what its own art should look like — how much to borrow from Europe, how much to invent from its own landscape and daily life. Every gesture, fabric, and gleam of light was pitched at an audience learning to take American subjects seriously.
Executed in Oil on canvas, measuring 101.3 × 67.3 cm (39 15/16 × 26 1/2 in.), the surface rewards close looking. Mary Cassatt builds the composition through layered glazes and a tightly controlled palette, letting cool shadows recede so that the warm, lit passages step forward.
Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. Even the everyday is loaded: a basin, a candle, a worn shoe become small monuments to a vanished daily world.
Housed at Art Institute of Chicago in Chicago, the painting has passed through the hands of collectors, dealers, and institutions before reaching public view — a provenance that is itself part of the object's story.
“A silence so complete it becomes its own witness.”
washing, woman, child, wash basin, jug, sitting, high-angle shot, navel.
The Child’s Bath is a tender portrayal of familial closeness, a subject that Mary Cassatt explored throughout her career. The caregiver’s cheek brushing the child’s shoulder, her encircling embrace, and the child’s pudgy hand on her knee suggest an emotional bond between the two. Captivated by a large exhibition of Japanese prints in Paris in 1890, Cassatt set out to produce a series of color prints influenced by Japanese aesthetics. She then continued her investigation across media, culminating in this bold composition, with its dramatically flattened picture plane, decorative patterning, and bright palette.
Robert A. Waller Fund
Materials: oil paint, canvas.
Technique: oil painting, painting (image making).
Inscriptions: Signed recto, bottom-left, on floor, in blue paint: "Mary Cassatt"..
The artist; sold to Durand-Ruel, Paris, November 24, 1893 [Paris 2015]; sold to Harris Whittemore, CT, January 17, 1894 [Paris 2015]; sold by him back to Durand-Ruel, New York, February 4, 1899 [Paris 2015]; sold to the Art Institute of Chicago, 1910.
Art Institute of Chicago, Chicago. View on the museum’s official page.
See more works at Art Institute of Chicago or browse the full Mary Cassatt collection.
A restrained palette and sculptural lighting create a solemn geometry. The wooden crate and letter anchor the narrative with journalistic precision.
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