
The Agony in the Garden
Nicolas Poussin
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The Holy Family with Saint John the Baptist
Nicolas Poussin
Period
Baroque
Theme
Religion & Mythology
Medium
Oil on canvas
Current Location
The Metropolitan Museum of Art, New York
The Story
Painting • Paintings
Created in 1632 during the Baroque period, this work belongs firmly within the religion & mythology tradition. Nicolas Poussin worked at a moment when the rivalry between Catholic Baroque drama and Protestant restraint reshaped what a painting could mean. Every gesture, fabric, and gleam of light was decoded by contemporary viewers like a private language.
Executed in Oil on canvas, measuring 30 x 25 in. (76.2 x 63.5 cm), the surface rewards close looking. Nicolas Poussin builds the composition through layered glazes and a tightly controlled palette, letting cool shadows recede so that the warm, lit passages step forward.
Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. Figures and gestures here follow a visual vocabulary contemporary viewers would have read fluently — attributes, poses, and settings that identify who is who and what is at stake.
Today the painting is held by The Metropolitan Museum of Art in New York, where it remains a touchstone for understanding Nicolas Poussin's contribution to Western art. It has been studied, copied, restored, and argued over for centuries — proof that great paintings keep generating new readings long after their creators have gone.
“A silence so complete it becomes its own witness.”
Painting • Paintings
Accession: 1997.117.6. Bequest of Lore Heinemann, in memory of her husband, Dr. Rudolf J. Heinemann, 1996
Technique: Oil on canvas.
The Metropolitan Museum of Art, New York. View on the museum’s official page.
See more works at The Metropolitan Museum of Art or browse the full Nicolas Poussin collection.
A restrained palette and sculptural lighting create a solemn geometry. The wooden crate and letter anchor the narrative with journalistic precision.
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