
Midas Washing at the Source of the Pactolus
Nicolas Poussin
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Blind Orion Searching for the Rising Sun
Nicolas Poussin
Period
Baroque
Theme
Daily Life
Medium
Oil on canvas
Current Location
The Metropolitan Museum of Art, New York
The Story
Blind Orion Searching for the Rising Sun is a 1658 painting by French artist Nicolas Poussin. Done in oil on canvas, the painting depicts a scene in which the mythological figure Orion — having been blinded — searches for the rising sun. The painting's scene was inspired by the 2nd century CE Syrian writer Lucian's retellings and spoofs on Greek mythology, including the Orion legend. Poussin painted Blind Orion on behalf of Michel Passart, a well-known patron of landscape painting.
Poussin's work is in the collection of the Metropolitan Museum of Art, which considers the work one of Poussin's greatest landscape paintings.
As Oil on canvas (46 7/8 x 72 in. (119.1 x 182.9 cm)), the work shows the tool marks and layering choices typical of Nicolas Poussin's output in this period — decisions about ground, underpainting, and glaze that a photograph can only partly convey.
Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. Scenes like this were prized precisely because they made ordinary labor and leisure worth painting at all.
Housed at The Metropolitan Museum of Art in New York, the painting has passed through the hands of collectors, dealers, and institutions before reaching public view — a provenance that is itself part of the object's story.
“A silence so complete it becomes its own witness.”
Orion, Cedalion, Diana, landscape painting.
Painting • Paintings
Accession: 24.45.1. Fletcher Fund, 1924
Materials: oil paint, canvas.
Technique: Oil on canvas.
The Metropolitan Museum of Art, New York. View on the museum’s official page.
See more works at The Metropolitan Museum of Art or browse the full Nicolas Poussin collection.
A restrained palette and sculptural lighting create a solemn geometry. The wooden crate and letter anchor the narrative with journalistic precision.
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