The Submersion of Pharaoh's Army in the Red Sea
Titian
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The Story
Adoration of the Magi, 1500s. Titian (Italian, c. 1488–1576), and Workshop. Oil on canvas; framed: 168 x 250 x 14 cm (66 1/8 x 98 7/16 x 5 1/2 in.); unframed: 134.5 x 217 cm (52 15/16 x 85 7/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1957.150
Created in 1500 during the Renaissance period, this work belongs firmly within the daily life tradition. Titian worked at a moment when the rivalry between Catholic Baroque drama and Protestant restraint reshaped what a painting could mean. Every gesture, fabric, and gleam of light was decoded by contemporary viewers like a private language.
As oil on canvas (Framed: 168 x 250 x 14 cm (66 1/8 x 98 7/16 x 5 1/2 in.); Unframed: 134.5 x 217 cm (52 15/16 x 85 7/16 in.)), the work shows the tool marks and layering choices typical of Titian's output in this period — decisions about ground, underpainting, and glaze that a photograph can only partly convey.
Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. Scenes like this were prized precisely because they made ordinary labor and leisure worth painting at all.
Housed at Cleveland Museum of Art in Cleveland, the painting has passed through the hands of collectors, dealers, and institutions before reaching public view — a provenance that is itself part of the object's story.
“A silence so complete it becomes its own witness.”
