The Submersion of Pharaoh's Army in the Red Sea

The Submersion of Pharaoh's Army in the Red Sea, 1514–15, printed 1549. Titian (Italian, c. 1488–1576), Domenico dalle Greche (Italian, 1503–1603). Woodcut; unframed: 41.3 x 56.1 cm (16 1/4 x 22 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1952.296.12

Created in 1514 during the Renaissance period, this work belongs firmly within the daily life tradition. Titian worked at a moment when the rivalry between Catholic Baroque drama and Protestant restraint reshaped what a painting could mean. Every gesture, fabric, and gleam of light was decoded by contemporary viewers like a private language.

As woodcut (Unframed: 41.3 x 56.1 cm (16 1/4 x 22 1/16 in.)), the work shows the tool marks and layering choices typical of Titian's output in this period — decisions about ground, underpainting, and glaze that a photograph can only partly convey.

Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. Scenes like this were prized precisely because they made ordinary labor and leisure worth painting at all.

Cleveland Museum of Art in Cleveland now holds the work, where conservators and historians continue to revisit its condition and attribution. Each generation of scholarship adds a layer to how Titian's output from this period is understood.

“A silence so complete it becomes its own witness.”