
Study Head of a Bearded Man
Frans Floris, I
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Head of an Apostle
Follower of Jacob Jordaens
Period
1550-1600
Theme
Portrait
Medium
Oil on panel
Current Location
Art Institute of Chicago, Chicago
The Story
Head of an Apostle is one of the most evocative works by Follower of Jacob Jordaens, painted around 1593. The canvas distills the obsessions of the 1550-1600 era — patrons, faith, power, and the fragile theatre of human emotion — into a single, charged image.
Created in 1593 during the 1550-1600 period, this work belongs firmly within the portrait tradition. Follower of Jacob Jordaens worked at a moment when the rediscovery of classical antiquity reshaped what a painting could mean. Every gesture, fabric, and gleam of light was decoded by contemporary viewers like a private language.
As Oil on panel (45 × 36.5 cm (17 11/16 × 14 3/8 in.)), the work shows the tool marks and layering choices typical of Follower of Jacob Jordaens's output in this period — decisions about ground, underpainting, and glaze that a photograph can only partly convey.
Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. The sitter is constructed: clothes, pose, and attributes were chosen to project status, virtue, and lineage.
Art Institute of Chicago in Chicago now holds the work, where conservators and historians continue to revisit its condition and attribution. Each generation of scholarship adds a layer to how Follower of Jacob Jordaens's output from this period is understood.
“A silence so complete it becomes its own witness.”
Gift of Dr. and Mrs. Francis Straus in honor of Michael Straus
Technique: panel painting, oil painting, painting, painting (image making), painting techniques.
Art Institute of Chicago, Chicago. View on the museum’s official page.
See more works at Art Institute of Chicago or browse the full Follower of Jacob Jordaens collection.
A restrained palette and sculptural lighting create a solemn geometry. The wooden crate and letter anchor the narrative with journalistic precision.
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