
Martyrdom of Saint Andrew
Guido Reni
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The Lamentation
Scipione Pulzone
Period
Late Renaissance/Mannerism
Theme
Tragedy & Death
Medium
Oil on canvas
Current Location
The Metropolitan Museum of Art, New York
The Story
Painting • Paintings
Created in 1593 during the Late Renaissance/Mannerism period, this work belongs firmly within the tragedy & death tradition. Scipione Pulzone worked at a moment when the rivalry between Catholic Baroque drama and Protestant restraint reshaped what a painting could mean. Every gesture, fabric, and gleam of light was decoded by contemporary viewers like a private language.
As Oil on canvas (114 x 68 in. (289.6 x 172.7 cm)), the work shows the tool marks and layering choices typical of Scipione Pulzone's output in this period — decisions about ground, underpainting, and glaze that a photograph can only partly convey.
Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. Light hardens into edge, drapery becomes shroud, and the body is staged like an argument about mortality.
Today the painting is held by The Metropolitan Museum of Art in New York, where it remains a touchstone for understanding Scipione Pulzone's contribution to Western art. It has been studied, copied, restored, and argued over for centuries — proof that great paintings keep generating new readings long after their creators have gone.
“A silence so complete it becomes its own witness.”
Painting • Paintings
Accession: 1984.74. Purchase, Anonymous Gift, in memory of Terence Cardinal Cooke, 1984
Technique: Oil on canvas.
The Metropolitan Museum of Art, New York. View on the museum’s official page.
See more works at The Metropolitan Museum of Art or browse the full Scipione Pulzone collection.
A restrained palette and sculptural lighting create a solemn geometry. The wooden crate and letter anchor the narrative with journalistic precision.
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