
The Hundred Guilder Print
Rembrandt van Rijn
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Jan Six
Rembrandt van Rijn
Period
Baroque
Theme
Daily Life
Medium
etching, drypoint, and engraving
Current Location
Cleveland Museum of Art, Cleveland
The Story
Portrait of Jan Six is a 1654 oil-on-canvas painting by the Dutch painter Rembrandt van Rijn. Having been handed down many generations, via the direct descendants of the portrait's subject, Jan Six, the work remains in the Six Collection in Amsterdam.
Created in 1647 during the Baroque period, this work belongs firmly within the daily life tradition. Rembrandt van Rijn worked at a moment when the rivalry between Catholic Baroque drama and Protestant restraint reshaped what a painting could mean. Every gesture, fabric, and gleam of light was decoded by contemporary viewers like a private language.
Executed in etching, drypoint, and engraving, measuring Sheet: 37.8 x 26.1 cm (14 7/8 x 10 1/4 in.); Platemark: 24.5 x 19.3 cm (9 5/8 x 7 5/8 in.), the surface rewards close looking. Rembrandt van Rijn builds the composition through layered glazes and a tightly controlled palette, letting cool shadows recede so that the warm, lit passages step forward.
Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. The apparent casualness is staged — objects and gestures are arranged to read as a moment caught rather than composed.
Housed at Cleveland Museum of Art in Cleveland, the painting has passed through the hands of collectors, dealers, and institutions before reaching public view — a provenance that is itself part of the object's story.
“A silence so complete it becomes its own witness.”
Jan Six I.
Jan Six, 1647. Rembrandt van Rijn (Dutch, 1606–1669). Etching, drypoint, and engraving; sheet: 37.8 x 26.1 cm (14 7/8 x 10 1/4 in.); platemark: 24.5 x 19.3 cm (9 5/8 x 7 5/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1961.80
Accession: 1961.80. Dudley P. Allen Fund
Materials: oil paint, canvas.
Technique: etching, drypoint, and engraving.
Inscriptions: lower left, in plate: IAN SIX. Æ 29 ; lower right, in plate: Rembrandt. f.. 1647. ; lower left, in pencil: B. 285 III / H. 228 III ; across bottom, in graphite: Burgomaster Jan Six (From the Six collection, Amsterdam, October 1928).
Cleveland Museum of Art, Cleveland. View on the museum’s official page.
See more works at Cleveland Museum of Art or browse the full Rembrandt van Rijn collection.
A restrained palette and sculptural lighting create a solemn geometry. The wooden crate and letter anchor the narrative with journalistic precision.
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