
Coronation Of The Virgin (San Marco Altarpiece)
Sandro Botticelli
Paintale uses cookies for essential site functionality and, where enabled, to serve relevant advertising via Google AdSense. You can accept all cookies or reject non-essential ones. See our Privacy Policy for details.
Now viewing
Madonna And Child And The Young St John The Baptist
Sandro Botticelli
Period
Renaissance
Theme
Religion & Mythology
Medium
tempera on canvas
Current Location
Galleria Palatina (Palazzo Pitti), Florence
The Story
Madonna And Child And The Young St John The Baptist by Sandro Botticelli
Created in 1490 during the Renaissance period, this work belongs firmly within the religion & mythology tradition. Sandro Botticelli worked at a moment when the rivalry between Catholic Baroque drama and Protestant restraint reshaped what a painting could mean. Every gesture, fabric, and gleam of light was decoded by contemporary viewers like a private language.
The physical object — tempera on canvas, 134 x 92 cm — carries its own history of handling and restoration. Sandro Botticelli's brushwork here moves between exacting description and looser, more suggestive passages, a balance typical of Baroque studio practice.
Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. What looks like straightforward narrative is layered with typology: episodes chosen and staged to rhyme with older stories the original audience already knew.
Galleria Palatina (Palazzo Pitti) in Florence now holds the work, where conservators and historians continue to revisit its condition and attribution. Each generation of scholarship adds a layer to how Sandro Botticelli's output from this period is understood.
“A silence so complete it becomes its own witness.”
Galleria Palatina (Palazzo Pitti), Florence. View on the museum’s official page.
See more works at Galleria Palatina (Palazzo Pitti) or browse the full Sandro Botticelli collection.
A restrained palette and sculptural lighting create a solemn geometry. The wooden crate and letter anchor the narrative with journalistic precision.