
Anger (Ira), from the series The Seven Deadly Sins
Pieter van der Heyden
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The Merchant Robbed by Monkeys
Pieter van der Heyden
Period
Renaissance
Theme
Daily Life
Medium
Engraving; first state of five
Current Location
The Metropolitan Museum of Art, New York
The Story
Print • Prints
Created in 1562 during the Renaissance period, this work belongs firmly within the daily life tradition. Pieter van der Heyden worked at a moment when the rivalry between Catholic Baroque drama and Protestant restraint reshaped what a painting could mean. Every gesture, fabric, and gleam of light was decoded by contemporary viewers like a private language.
Executed in Engraving; first state of five, measuring plate: 8 15/16 x 11 9/16 in. (22.7 x 29.4 cm) sheet: 9 13/16 x 12 3/8 in. (25 x 31.5 cm), the surface rewards close looking. Pieter van der Heyden builds the composition through layered glazes and a tightly controlled palette, letting cool shadows recede so that the warm, lit passages step forward.
Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. Scenes like this were prized precisely because they made ordinary labor and leisure worth painting at all.
Housed at The Metropolitan Museum of Art in New York, the painting has passed through the hands of collectors, dealers, and institutions before reaching public view — a provenance that is itself part of the object's story.
“A silence so complete it becomes its own witness.”
Print • Prints
Accession: 26.72.25. Harris Brisbane Dick Fund, 1926
Technique: Engraving; first state of five.
The Metropolitan Museum of Art, New York. View on the museum’s official page.
See more works at The Metropolitan Museum of Art or browse the full Pieter van der Heyden collection.
A restrained palette and sculptural lighting create a solemn geometry. The wooden crate and letter anchor the narrative with journalistic precision.
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