PAINTALE

Milan

Biblioteca Ambrosiana

The Biblioteca Ambrosiana holds 10 Renaissance and Baroque masterpieces in the Paintale collection, including works by Leonardo da Vinci. Each painting page unpacks the symbolism, technique, and provenance of the work — turning a gallery visit, or a search for a single canvas, into a deeper encounter with the period.

Daily LifePower & Politics
Masterpiece from Biblioteca Ambrosiana

Famous paintings at the Biblioteca Ambrosiana

Think you know the Biblioteca Ambrosiana collection? Take the painting quiz →

Heart And Its Blood Vessels

Heart And Its Blood Vessels

Leonardo da Vinci

470 likes120 comments
Drawing Of A Woman'S Torso

Drawing Of A Woman'S Torso

Leonardo da Vinci

495 likes145 comments
Drawing Of The Torso And The Arms

Drawing Of The Torso And The Arms

Leonardo da Vinci

496 likes146 comments
Device For Making Sequins

Device For Making Sequins

Leonardo da Vinci

588 likes98 comments
Crossbow Machine

Crossbow Machine

Leonardo da Vinci

620 likes130 comments
Giant Crossbow

Giant Crossbow

Leonardo da Vinci

621 likes131 comments
Multi Barrel Gun

Multi Barrel Gun

Leonardo da Vinci

623 likes133 comments
Siege Defenses

Siege Defenses

Leonardo da Vinci

624 likes134 comments
Drawings Of Water Lifting Devices

Drawings Of Water Lifting Devices

Leonardo da Vinci

648 likes18 comments
Canal Bridge

Canal Bridge

Leonardo da Vinci

649 likes19 comments

About the Biblioteca Ambrosiana’s Renaissance and Baroque collection

The Biblioteca Ambrosiana’s holdings of Renaissance and Baroque painting in Milan sit among the most significant surviving collections of pre-modern European art. The works in this group — 10 paintings — span the themes of daily life, power & politics and the hands of artists from Leonardo da Vinci.

If you’re planning a visit, use this page as a starting list of the must-see paintings. If you’re researching from a desk, each painting page goes deeper than a museum label: the patron, the symbolism a 17th-century viewer would have recognised, the technique under the surface, and where the painting fits in Biblioteca Ambrosiana’s longer history.