The Story
Erysichthon selling his daughter from the Rijksmuseum collection.
Created in 1650 during the 1600-1650 period, this work belongs firmly within the daily life tradition. Jan Steen worked at a moment when the rivalry between Catholic Baroque drama and Protestant restraint reshaped what a painting could mean. Every gesture, fabric, and gleam of light was decoded by contemporary viewers like a private language.
Executed in Gift of the heirs of C. Hoogendijk, The Hague, measuring width: 64; depth: 7.5; height: 66, the surface rewards close looking. Jan Steen builds the composition through layered glazes and a tightly controlled palette, letting cool shadows recede so that the warm, lit passages step forward. The brushwork shifts from the precise to the almost dissolved — a hallmark of mature Baroque practice.
“A silence so complete it becomes its own witness.”
