Sir Thomas More

Sir Thomas More and His Family is a lost painting by Hans Holbein the Younger, created circa 1527 during Holbein’s first visit to England. The work depicted the noted statesman and scholar Sir Thomas More, his immediate family, and other members of his household. While the original painting was destroyed in a fire in 1752, at Schloss Kremsier (Kroměříž Castle), the Moravian residence of Carl von Liechtenstein, Archbishop of Olmutz, its composition is known through a number of surviving copies and studies.

The painting is known for demonstrating the interplay of Sir Thomas More's private and public life.

The physical object — oil on wood in a gilt wood frame, Framed: 8.6 x 8.6 x 1.3 cm (3 3/8 x 3 3/8 x 1/2 in.); Diameter: 6.5 cm (2 9/16 in.); Unframed: 6.7 x 6.4 cm (2 5/8 x 2 1/2 in.); Diameter of frame: 8 cm (3 1/8 in.) — carries its own history of handling and restoration. Hans Holbein the Younger's brushwork here moves between exacting description and looser, more suggestive passages, a balance typical of Baroque studio practice.

Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. Likeness was only part of the job; the painting also had to argue for the sitter's place in the world.

Today the painting is held by Cleveland Museum of Art in Cleveland, where it remains a touchstone for understanding Hans Holbein the Younger's contribution to Western art. It has been studied, copied, restored, and argued over for centuries — proof that great paintings keep generating new readings long after their creators have gone.

“A silence so complete it becomes its own witness.”