Portrait of Isabella of Bourbon
Follower of Peter Paul Rubens
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The Story
Joy alights on the faces of a crowd of children staring spellbound up at a rommel-pot player. A rommel pot is a musical instrument made out of an earthenware jar with a stick inserted through an animal skin covering. The player rotates and rubs the stick to produce a droning noise akin to a duck call. It was often played during Shrovetide, the festive period before the start of Lent, also known as Carnival. This street performer wears a foxtail hat, a traditional attribute of a fool, highlighting the silliness of the occasion.
Frans Hals’s workshop produced multiple versions of this scene, which was likely popular for the way the artist captured childhood delight.
Working in Oil on panel at 39.1 × 30.5 cm (15 1/16 × 12 5/16 in.), Workshop of Frans Hals constructs depth through value contrast rather than outline, letting figures emerge from darkness the way they would under candlelight or through a shuttered window.
Look closely and the painting opens up. Objects you might pass over — a folded letter, a half-drawn curtain, the angle of a glance — were placed to be read. Every prop in a portrait like this is a decision — jewelry, fabric, and hand position were negotiated between painter and patron to shape how the sitter would be remembered.
Housed at Art Institute of Chicago in Chicago, the painting has passed through the hands of collectors, dealers, and institutions before reaching public view — a provenance that is itself part of the object's story.
“A silence so complete it becomes its own witness.”
